Monthly Archives: October 2020

“How real is Bolivia?” followed by reflection

Dreamed of Bolivia last night Not exactly Bolivia but we had just returned and we were about to be interviewed on a talk-show with a live audience I was going to say the cities haven’t been bombed out like European cities so the streets swirl I was trying to find some pants to wear for the interview Pawing through a pile of freshly folded jeans It was almost time for the show The legs were the right length but the waist was all the way up to my chest I would hide the waist with my shirt I started up for the studio rehearsing responses to imaginary questions when in fact I couldn’t even recall for certain if it was Bolivia So how did you find it down there? I could see myself leaping from a ledge in the Andes and grabbing a mountain goat midair Well the living is rough but I love the ambiance I make my coffee and open a book Uncollected Poems By Alan Ginsberg Wait Till I’m Dead It is organized by decades I open to the 60s To the poem To Frank O’Hara & John Ashbery and Kenneth Koch where he writes about the women in the market sitting in the mud hands over their noses selling black potatoes and blue onions But this was not the Bolivia in my dream so maybe I wasn’t in Bolivia or even close But I did wake with a headache as if I really had been up in Ginsburg’s high valley in the Altiplano 

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Reflection:

I sent this to my brother. He emailed back:

Do you know the story? Last year, Evo Morales, probably one of the best national leaders in the world for the past 50 years — a powerful environmentalist and the first indigenous person to lead a modern nation in the so-called “New World,” was overthrown by a US backed military coup and replaced by a classic Latin American dictator. There were protests, in which hundreds of indigenous people were murdered by the military, there were international campaigns calling the cancellation of the fraudulent election that was used to oust Morales and cause him to have to flee the country to Mexico for his life, and the pressure led to a redo of the eleciton, which Morales’ party, led by an ally of his, won by over 52% of the vote yesterday, ruling out the need for a run-off. The conservative party got some 39% and the coup party just 14% — a crushing defeat. Hopefullly the winning party of Morales will be allowed to assume power. Morales opposed oil companies wrecking the country’s Amazon forests, has raised the poor out of poverty, and says that the earth needs to  be saved. 
https://www.commondreams.org/news/2020/10/19/democracy-has-won-year-after-right-wing-coup-against-evo-morales-socialist-luis-arce

I responded: I did not know all of this, but that doesn’t negate the value of surrealistic poetry. My poem is making fun of my (the dreamer’s) cluelessness, self-absorption and hubris. It is making fun of our over-civilized Hunger Games-style elitist culture. Ginsburg was always wrestling with his own irrelevancy and hedonism but there were flashes of reality in his poetry and he helped a lot of poets come down from the ivory tower to write about real things like addiction, homophobia, world-destructive capitalism, existential isolation, intellectual irrelevancy.   I agree my poem is kind of like a distraction from focusing on real issues, but sometimes I do feel like I am one of those vapid people in the audience at a talk-show, where the host might be interviewing a poet who thinks he might have been in Bolivia, who is wearing his pants up to his chest, quoting Ginsburg in his poem in a desperate attempt to bring it home.  Sometimes it takes a dream to show how much our culture has become like the Hunger Games where people have nothing to do but watch everything fall apart. But I can hear Jung saying, if we can dream it, we stand a chance of owning it.

Should I wear a mask?

Voice 1: Display strength instead of weakness
Hide your fear
Voice 2: Appear to be in control
Voice 3: Wear a mask / Do not wear a mask

Confusion 1: I am wearing a mask
I am afraid

Confusion 2: I hide my mask
I am afraid to appear afraid

Confusion 3: My strength is a mask
Hiding my fear

Confusion 4: I appear to be in control
I display my strength

Confusion 5: I mask my weakness
I control my appearance

Confusion 6: I control my mask
I mask my mask

Confusion 7: I display my mask
I fear to appear

Confusion 8: My weakness is my mask
My mask is my appearance

Confusion 9: Control is my strength
My strength is my weakness

Confusion 10: I hide my mask
I am afraid to appear afraid

Covid-Epistle XI (written for thiscantbehappening.net): How living under the pandemic has changed me as a writer

I have a friend who had a big dream recently that was full of apocalyptic symbolism. In her dream there were catamounts prowling the city streets. It was very ominous because nobody could be sure where they were going to appear next. They would manifest on a crosswalk and vanish just as they do in the forest. (They were even in the buildings in her dream.) Here in Vermont catamounts are supposed to be extinct but every once in a while there are sightings. A friend of mine and his wife saw one cross right in front of their car on a remote country road and I once came across a perfect footprint about the size of my palm in the silt of a dry streambed when I was walking in the mountains off-trail and it was not a bear-print. The image of the great cats moving into the city also reminds me of the beginning of Shakespeare’s “Julius Caesar” when Casca reports to Cicero that he encountered a lion on his way to the capital, a strange portent in itself, but the strangest part, the most unnerving part was, the lion ignored him. This picture, of a preoccupied lion walking through the streets of Rome, has stayed with me for 40 years. It always felt eerily timely to me. Would any sane person deny that we are living in Apocalyptic times, now more than ever, with the president (our Caesar) lying in a hospital bed with Covid? Like Julius Caesar, he is tragically clueless and has been ignoring all the omens of a world that is hanging in the balance. He may not have a soothsayer, or a wise and prescient wife, but he consults the polls (his oracle), and most polls are stacked against him.     

Continued at: https://thiscantbehappening.net

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Photo credit: Tambako the Jaguar at https://www.flickr.com/people/8070463@N03/

The little bird, followed by brief reflection

This is a poem about walking behind a bird
The bird was walking mostly
It would only stop to look back at me
It seemed to want me to follow
I think that is why it didn’t fly
I don’t know much about birds
This bird was brown in the shade green in the sun
At first I thought this would make a good story
But then it got old and a little weird
I wanted it to fly
I even walked faster to try to spook it
But it just stopped and looked at me
It seemed to say stop being a jerk
It kept walking until the trail came to the road
It walked to where my car was parked
I let it in and it sat on the dashboard
I started the car and drove home

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Reflection:

You know that saying, ”a little bird told me”?  The bird that tells us things is our intuition. “Don’t do that.”  “Don’t say that.” “Walk over there.” “Don’t go there.” “Don’t trust that person.” “Go introduce yourself to that person.”  “Take that job.” “Don’t take that job.” “Don’t eat that.”  “Keep that out.” “Let that in.”   The bird, because it has wings, has been higher up, further afield. We might imagine that it has listened in on conversations between people and other animals, as is often the case in folk tales.  In folk tales it first shows up hungry or wounded or perhaps pursued by a hawk, and if the hero or heroine helps the bird, it becomes their ally and returns when times get tough with just the right message or information to change the situation for the better.  The point is, what the bird represents is our birthright. It comes with who we are. I am referring to our intuition, but I am also referring to our soul. The bird also represents our soul.

Soul and intuition are related. They tap the same source. When you think of where the bird is happiest – in a woodland or a field or glade near clean water, pond or stream, around other animals who are going about their lives, that is also where our soul is happy. If we seek out places like this (Not forgetting that many people lack access to such places!) we are doing something nice for our souls because our souls are aligned with our animal nature.

In nature, where the presence of wild animals is implicit or explicit, our soul, just like a wild animal, comes out of hiding. In environments where we have to be on guard or on our toes all the time, the soul pulls back into the shadows of our psyche. It hides like that little bird.      This brings us back to the poem. The little bird on the path that is leading the way, leads me through the woods. That part of the poem actually happened on Monhegan Island. A bird walked and hopped in front of me for a good 500 feet before it stopped, looked at me, and flew straight toward me (!), swooping under my hand at last second, almost grazing my fingertips. In real life, it was as if it was trying to get my attention, to snap me awake. As I try to recall what I was doing before the bird appeared on the path, I wasn’t really focused on much of anything, but was using the path as the shortest way back home and was in a bit of a funk. When it flew at me I blinked and jerked my head back, startled into full awareness. In writing this poem I am allowing my poetic-dreaming to enter a kind of folktale-realm where the bird steps into its mythic helping role as soul-animal or spirit guide.  The poem is not a total fiction but an alternative continuation of what actually happened.